I cannot count the number of times I have used the now ever-present phrase "strong female character," whether it was in casual Swindon girls having sex, an academic paper, or a published piece of writing, including some on this very site.
I even made an argument for why young male readers need books about strong female charactersbut I am declaring myself officially done with the phrase. We need to stop using the term Strong Female Characterbecause women and girls deserve a smarter conversation Bry.
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Over the last few years, these three words strung together — Strong Female Character — have become convenient packaging for any girl or woman in literature who is presented to readers as anything other than a typical damsel-in-distress or supporting love. From Katniss Sexting online Reigate to Claire Fraser to Alina Starkov, incredible female book characters have been continually stuffed into this very narrow box labeled "strong," and put on a pedestal to be praised by everyone, from critics to somen to authors, for breaking literary boundaries.
While the increased representation of fully-fleshed female characters in books is something to applaud, and something to continue to strive towards, the way we talk about them is something we need to reconsider.
There is an infinite number of things girls and women can be, which, yes, includes "strong," but we have called this one characteristic out as being the Women who love women conversations in Bury all, be all of our ideal Escort review Oxford characters. When we raise it up and praise it as being groundbreaking or outside the norm, we are reinforcing the idea that women are, in general, the weaker sex, and when they display strength of any kind, whether it be emotional, physical, mental, or otherwise, they are exceptional.
By using the words "strong" and "female" in succession to modify the term character, we are perpetuating the sexist belief that women are naturally weak. How often do you see the phrase "strong male character? I am not arguing that strong female characters don't exist, nor am I trying to convince anyone that when they do, they are a bad thing.
What I am trying to say is Online girl chatting in Gravesend the label Strong Female Character isn't, and shouldn't be, the only option. Women and girls deserve to see the unlimited possibilities of their gender, from the quick and cunning to the steadfast and studious to the brave and daring. We also deserve to be able to talk about those possibilities without being confined to a narrow set of expectations for what a "good" female character should be called.
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Jane Austen has written inspiring heroines young women have gravitated to for over years, but is Elizabeth Bennet really a strong female character, as she Oriental spa chatswood Acton so commonly referred to in modern conversations about her role as a feminist figure in literature, or is she just more fully fleshed out than so many other leading ladies?
She is smart and independent, selfless and compassionate, stubborn and steadfast for sure, but strong doesn't seem to fit into her actual behavioral characteristics. Sure, she shows emotional maturity and strength for her family throughout the novel, but by limiting her description to a typical Strong Female Character, we're stunting any conversations about the complex nature of her character, the pros and cons of other traits, and the many meanings of strength.
The term Strong Female Character has become an umbrella under which all well-written female characters fall, a placeholder for when we mean a female character is fully developed, complex, multi-dimensional.
When we say Strong Female Character, what we really mean is someone who is more than a love interest, more than a plot device to move along a male character's story, more than just a one-dimensional sketch of what a girl or woman is assumed to be.
We mean a complicated character with many different strengths and her own set of weaknesses, someone with complex motivations and real character development. It's time we stop settling cobversations Strong Female Charactersand start demanding what we actually want: more heroines in literature.
Readers deserve full-fleshed out, diverse, and relatable female characters who are so much more than "strong," whatever that means. Instead of Kidderminster escorts cityvibe strength from the girls and women in our books, we should expect complexity. We should expect them to have healthy relationships with other women, real-life flaws we can relate to, and complicated conversatinos lines that don't revolve around men.
Conveesations require equal representation in books, so that all kinds of women are showcased, so all narratives are explored, not just the strong ones. Durley Statement of responsibility : by Hill Harper. Women feel connected by sharing the details of their life with others, but also risk exposing their secret to someone converstions might possibly share it perhaps embarrassing them or punishing. Or I guess, at least on my. Stay in Touch Sign up. Chapter 2 begins by discussing the difference of the gift of understanding and the gift of advice.
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To give praise is to express that you are high enough above the other to give a compliment. Join my mailing list.
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The Phrase "Strong Female Character" Needs To Go, Because Women Deserve A Smarter Conversation Bury
For women, communication conversatiobs leadership roles is difficult because if they speak in traditionally female communication patterns, they may be seen as weak leaders and if they speak as strong leaders, they may be seen as inadequate women. For many cultures or personality types, being in conflict is a sign of involvement, and thus intimacy or connection.
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